Little Nemo: Adventures in Slumberland
Original title: リトルニモ：冒険スランバーランドで | Little Nemo: Adventures in Slumberland
Director: Masami Hata | William T. Hurtz
Running time: 100 Min.
Cast: Gabriel Damon | Mickey Rooney | Rene Auberjonois | Laura Mooney | Bernard Erhard
Written by: Miguel Douglas
Little Nemo: Adventures in Slumberland – Review
by Miguel Douglas on July 02, 2010
Welcome to the fantasy world of “Little Nemo,” filled with dreams of enchanted lands and new friends, amazing magic and fun-filled adventure. A place where anything is possible and the only boundaries are those of the imagination. In this major motion picture, Nemo journeys to the Kingdom of Slumberland. The King of Slumberland welcomes Nemo with open arts, making him heir to the throne and giving him a magical key that opens any door in the kingdom. “But I must warn you,” the King says, “there is one door you must never open.” Not heeding the King’s advice, Nemo unlocks the door. With the King kidnapped and the nightmare unleashed upon the kind people of Slumberland, Nemo and his friends must venture into the depths of the Nightmare World in a courageous attempt to make things right. Will they be able to save the King and restore peace to the Kingdom of Slumberland? Only then will Nemo dream happily ever after.
A huge step for Japanese animation within North America, Little Nemo: Adventures in Slumberland was the first Japanese animated feature film to have received a wide release within North America. With key Japanese animators and directors such as Hayao Miyazaki, Isao Takahata and Yoshifumi Kondo initially onboard to develop the project—but sadly left due to many creative differences—the project went through a variety of turbulent phases before even being released. Given the arousing support and creative talent that still remained behind the production, the film was ultimately considered a box office failure due to its low revenue returns. Despite this, the film regained some prosperity through its home video sales—while still remaining a favorite amongst a majority of viewers and critics alike. The film simply became one of those cases where a following developed after the film’s initial release, and whose prominence has simply grown outside the cinema and more so into the home watching experience.
It’s interesting to note the production of film because of the strenuous amount of effort that went into its construction. For all the obstacles that the film had to endure, one could easily apply the notion of the film simply being ahead of its time. It had all the right elements that young children often experience—imaginative dreams, wondrous adventures and even frightening nightmares—all encompassed within a visually stunning film that could easily be equated to that of a Studio Ghibli or Disney work, it’s simply that technically appropriate. This simplistic approach has often times been lauded as cliché or overdone within other animated films, but here it’s done to an imaginative effect that neither falls flat nor seems too contrived. From joyful scenes featuring impressive and catchy songs, to adventurous ones filled with aerial pursuits and clashes, the film is equally impressive on multiple fronts. Deriving from comic strip by Winsor McCay published in 1905, the transfer from comic strip to celluloid is absolutely fantastic—even if it doesn’t exactly follow the episodic nature presented in the strip. The look of the characters and environments presented within the film are duly captured from the original comic strip, which is already quite alluring to begin with—in other words, the wealth of creativity stemming from the source material certainly helped the film in developing its atmospheric world.
Which brings us to the visual aspect of the film. With fluid and graceful animation presented throughout the film, it certainly captures the high-energy movement only envisioned within the realm of the McCay’s artistry. With the usage of traditional animation, the universe is able to come to life through its dazzling atmosphere and busy scenery—it really is quite stunning. Very Ghibli-esque in its exterior appearance—but still remaining somewhat Westernized with its handling of characters—the film devotes a lot of time to exploring and elaborating on its intricate environments and settings. With it usage of vibrant and colorfully lush displays of imagination, the film conveys a sense of appreciation towards traditional hand drawn animation. Alongside the visual element of the film is the music. Composed by the famous Sherman Brothers, the film’s score was performed by the extraordinary London Symphony Orchestra. This definitely raises the film far beyond the typical animated treatment; its usage simply enhances the film to a substantial degree not often heard in any other but the highest quality of animated films.
The film does have it downsides though. For one, the second arc of the film is rather slow and cumbersome, which slows the narrative down from the very action-oriented first half. The establishment of the villain is prominent during this portion, but it seems rather rushed and imbalanced considering the nature of his confrontation. While the first half within Slumberland was enjoyable, the second arc is definitely a much darker affair. This portion might also be too scary for younger children—which I’ll admit the film is primarily for—but adults should be completely fine with the material showcase during these parts. It’s just that the juxtaposition here seems slightly unfair given the rather lighthearted first half. Secondly, the film doesn’t necessarily follow the comic strip, which might disappoint certain fans expecting the film to strictly adhere to the original source material. Still, these are just minor quibbles compared to the entirety of the product, which for the most part still retains the vibrant atmosphere of fantasy found in McCay’s original comic strip.
Overall, Little Nemo: Adventures in Slumberland ultimately remains an impressive albeit forgotten masterpiece. The reasons for remembrance are many, but the film still remains a pioneering work in many regards, primarily due to it breaking numerous barriers that had existed between both the American and Japanese market in terms of jointly promoting and creating animated feature films. The fact that it’s a film that actually complements the original comic strip is also greatly valued—even if it remains somewhat different in how its story is approached. In a more pragmatic view, the film provides excellent characterization of its cast, an enchanting and memorable soundtrack and a wholesome story that will certainly please both adults and children alike. It’s a story about facing one’s fear and meeting new and interesting characters—all the while being quite imaginative. I believe these are the strongest qualities for any film, whether it is live-action or animated, and Little Nemo: Adventures in Slumberland is one film that encompasses all these qualities to present a triumphant display of animated and cinematic prowess not often viewed in many films today.